Audio Playback for Chapter 26 Figures

 

 

Figure 26.1. Major and minor modes

 

Figure 26.2. Diatonic and borrowed supertonic triads in the same progression

 

Figure 26.3. Borrowed subdominant chord

 

Figure 26.4. Deceptive cadence using borrowed VI chord

 

Figure 26.5. Borrowed leading-tone seventh chord

 

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